Sony PS-X9

November
1 9 7 7 november 1977
1 9 8 4 1984

Sony's unsung masterpiece, arriving too late to defeat the Technics SP-10MKII on the pro market.
Probably not "esoteric looking" enough either to satisfy the "audiophile & trendy" market and steal sales off the Pioneer Exclusive P3...

The PS-X9 however had expanded onboard electronics and audio stages, a PLPS power supply, the Magnedisc/XTAL lock system and was delivered with a hand-picked version of the XL-55 MC cart : the Sony XL-55Pro.


Beyond rugged looks, the 5,8kg / 38cm aluminum platter is what makes the PS-X9 look like an oversized monster. Said platter is completely covered with a yellow damping material which is is the same as on the Sony PS-8750 and Sony TTS-8000.

The brownish barium-ferrite magnetic imprint is, unlike on the TTS-8000, safely placed inside the platter (...outside of the inside rim) to avoid damaging it too easily.

The manual insists on not powering the PS-X9 without the platter on : the motor would otherwise run at uncontrolled speed and burn itself off - that gives a fair idea of the available torque.

The two red dots on the left (next to the protection rim of the base) are cue indicators for quick startups, one for each speed - the PS-X9 really was meant as a studio workhorse, not as a plush showpiece.

The front opening of the base allows the RM-90 wired remote to be hooked up - rare accessory, just like the (optional ?) dark acryl dustcover, which, like that of the TTS-8000's TB-2000 base, is un-hinged and has to be entirely taken off to play a record ; the four shiny corner posts are for centering the dustcover.

Available separately a few months after the PS-X9, the PUA-9 tonearm was specifically designed for the X9 although it clearly was a much upgraded version of the PUA-7.


Myth has it that there were only fifty PS-X9 ever made but that is myth and myth only : I have spotted serial numbers as high as 500 in Japan and 250 in most export zones. This should put the total production run around 2000 units.

Even if not as remembered as the Denon DP-100M or the Pioneer Exclusive P3, many X9s found their way into radio stations and in a few audiophiles' rigs.
I know of someone who has critically listened to all of the usual suspects for a magazine (Kenwood L-07D, Denon DP-100M, Marantz Tt 1000, Luxman PD-555, Technics SP-10mkIII, EMTs et al) and finally settled for his own deck on... a PS-X9.


The red badge next to the power-on switch says Sony Professional, pointing at the other units of the "9" series : the sadly unproduceed EL-D9 Elcaset, the PUA-9 tonearm, the TA-N9 power amplifier and the planned APM-9.
The latter was finally released as APM-8 and thus sort of ended this (never officially mentioned) professional "9" lineup.

In typical Sony quirkiness, if the PS-X9 was meant as a professional broadcast machine, it was christened with a consumer name (PS-X), while the contemporary consumer audiophile model was named with Sony's staple TTS "pro" name : TTS-8000 !


This notwithstanding, the PS-X9 is one of the best LP record players ever made.

A rare image printed only once in acceptable size in Sony's own japanese catalogs - and not elsewhere, of course.

...see the size of the coils in relation to this 38cm platter !

The six gold dots are receptacles to secure the platter to the rotor - you can see the screws protruding from under the platter.

The barium-ferrite magnetic imprint's typical color is visible at the top right ; the two 8-pole magnetic heads reading said magnetic imprint are near the tonearm's base.

The inside rim of the platter's inside rim (opposite the magnetic imprint) is used for quick braking ; the brake itself is near the 45rpm adaptor.

Bottom left is the 33 1/3rpm cue position marker ; next above is that of the 45rpm.

The shaft itself is a 1,2cm big shaft.

The PUA-9 tonearm - the version integrated to the PS-X9.
The standalone version has a cueing lever set within the base and rest post.



This image was obviously taken with a pre-production sample : the amp selector and load labels have been quickly penciled to hide a previous functions' arrangement :)

#

SYSTEM
Motor :
Drive system :
Speeds :
Pitch control :
Startup time :

Platter :
Automatic system :
Semiconductors :




Initial drift :
Load characteristics :
Speed deviation :
Wow & flutter :

S/N ratio :


AUDIO section
Semiconductors :


Head Amp System :
Equalizer System :

Phono outputs :
Line outputs :


HEAD AMP section
S/N ratio :
THD :
Voltage gain :
Input impedance :
Maximum input :


EQUALIZER section
S/N ratio :
THD :
RIAA :
Voltage gain :
Input impedance :

Maximum input :


GENERAL
Power requirements :

PC :
Dimensions :
Weight :


Supplied accessories :

SYSTEM
Linear BSL DC servo motor
DD + Magnedisc Servo system + Quartz reference
33 1/3 & 45rpm
± 6% (X-TAL lock OFF)
within 1/8 of a rotation (33 1/3rpm)
within 1/5 of a rotation (45rpm)
38cm aluminum-alloy diecast
Arm return, reject
14 ICs
92 transistors
63 diodes
2 Hall elements

within 0,0001% (X-TAL lock ON)
0% up to 1,1kg tracking force (!)
within 0,002% (X-TAL lock ON)
± 0,03% (DIN)
0,02% (WRMS)
75dB (DIN-B)


AUDIO section
14 FETs
86 transistors
4 diodes
1st stage LEC transistor differential amplifier
1st stage direct-coupled dual-FET differential amplifier
NF type final stage SEPP
??
150mV (max. 14V) / 600Ohm


HEAD AMP section
80dB (A-network, 0,2mV)
< 0,005% at 1V output (20Hz...20kHz)
63dB (1kHz)
100 Ohm
10mV


EQUALIZER section
87dB (A-network, 2,5mV)
< 0,005% at 1V output (20Hz...20kHz)
± 0,2dB (20Hz...20kHz)
36dB (1kHz)
resistance : 25 / 50 / 100kOhm
capacitance : 100 / 200 / 400pF
240mV (1kHz)


GENERAL
220/110V, 50/60Hz
selectable by authorized Sony personel
50W
54 x 22 x 45cm
35kg
39kg in shipping carton

XL-55 Pro MC cartridge
Stylus brush
RM-90 remote control unit
Dust cover
45rpm adaptor
Connection cords (RK-112)
Ground wire
Screw driver
Alignment protractor

Thanks to Joachim for numerous images of his (ex-) PS-X9 !

Sony PS-X9 users area - Image n°1


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Sony PS-X9 users area - Image n°23

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