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Sony
TTS-8000
(july 1976 - 1979)
A
very rare beast, the TTS-8000
was derived from the earlier PS-8750
(1974) and sold as a drive or with a plinth. The TTS-8000, however,
uses a different motor/rotor and all that came strictly untouched
from the 8750 is... the platter. The overall engineering theory
and X'Tal lock system are the same, though.
The
optional base borrows the system of the smaller PS-6750
and is a massive SBMC
piece (Sony
Bulk Mold
Compound)
placed on a supplementary slab of compressed wood particles - a
TTS-8000 on its TB-2000
base makes for a hefty 40kg
! There were, however, six different bases available, the TB-2000
being the biggest and most heavy.
Along
the later and smaller TTS-6000, the
TTS-8000 was advertised quite discreetely
by Sony and was somewhat overshadowed by the PS-X9
masterpiece (1977) but despite appearances managed to sell rather
well even if only in Japan. One can wonder why Sony chose a consumer
tag (PS-X) for its professional deck and a professional tag for
its "audiophile" decks (TTS) - typical Sony ;-)
Early
samples of the TTS-8000 sported black strobe dots on the platter
(as shown above), later ones the opposite scheme (as shown below).
Sony tonearms planned for the TTS-8000 and 6000 were at first the
PUA-1600L
and 1600S
(as seen below) ; later on the PUA-7
and PUA-9.
The 8000 can handle heavy platter mats like Micro CU-180, SAECs
or AudioTechnica's AT 600 ceramic mat, plus a heavy record clamp
; the liberty of using separate tonearms and custom alignements
naturally offers full-size vinyl fun, although the maximum effective
length of any tonearm is set at 27,3cm - a 3012 SME will not fit.
Sound-wise
the TTS-8000 is rock solid and very
clean from top to bottom ; it isn't the equal of a Pioneer
Exclusive P3a, but it didn't cost an arm and a leg and can be
found fairly cheaply nowadays. The one and only real problem is
that the TTS-8000+TB-2000 combo can
definitely NOT be placed on a wall shelf !
I
believe the total production run to be of less than 5000
units. As new evidence suggests, about sixty were imported in the
UK, some of which might have found their way to the BBC broadcasting
studios. However, none were delivered in France (a country which
always was a joke market for Sony and japanese high-end in general)
and none officially in Germany (quite surprisingly) nor in the US,
Canada or northern Europe.
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